nparadoxa vol 28 July 2011

Bio-politics

Contents

EDITORIAL (Katy Deepwell) pp.4
Angela Dimitrakaki ‘Labour, Ethics, Sex and Capital On Biopolitical Production in Contemporary ArtOn Biopolitical Production in Contemporary Art’ pp.5-15
Artists Pages: subRosa ‘Bodies Unlimited A decade of subRosa’s art practice’ pp.16-25
Marcia Oliveira ‘The postmodern paradox in visual arts aestheticism, politics and contemporary materialism’ pp.26-31
Jo Anna Isaak ‘Memories, rooms, sound and skin an interview with Irina Nakhova’ pp.32-40
Artists Pages: Silvia Ziranek ‘(WHAT?) FACE FATE’ pp.42-43
’54th Venice Biennale’ pp.44-47
Katy Deepwell ‘From Marginalia to Monalisa an interview with Ida Applebroog’ pp.48-56
Suzana Milevska ‘Woman Bear Witness’ pp.57-63
Artists Pages: Monica Sjoo and Anne Berg ‘Images on Womanpower – Arts Manifesto (1971) (trying to give a rough and necessarily incomplete idea of what we are about.)’ pp.64-67
Kim Sawchuk ‘Bio-art and the feminist politics of hands-on knowledge: an interview with Tagny Duff’ pp.68-79
Victoria Rance ‘Mary Kelly: Projects, 1973-2010’ pp.80-87
Kimberly Lamm ‘At the Pivot of the Biopolitical: Seeing Sex and Racism in Lorna Simpson’s You’re Fine’ pp.88-93
‘3 Women: Maria Pininska-Berez, Natalia LL, Ewa Partum’ pp.94-95

Some Articles from n.paradoxa are available as free PDFs at https://www.ktpress.co.uk/