nparadoxa vol 34 July 2014

Lessons from History

Contents

Editorial (Katy Deepwell) pp.4
Zoe Bray ‘Interviews with Two Basque Artists Ana Laura Aláez and Azucena Vieites’ pp.5-15
Marina Grzinic and Aneta Stojnic ‘Transfeminists and transmigrants perspectives in Europe’  pp.16-27
Helen McDonald ‘Fling ups and Girly Bits: Feminist art and the labiaplasty “epidemic”’ pp.28-36
Artists Pages: Pam Skelton ‘Conspiracy Dwellings’ pp.37-41
Joana Monbaron ‘Private Yearnings for the Exotic Tearing off the (Post-)Soviet Wallpaper’ pp.42-49
Swapnaa Tamhane ‘Rummana Hussain: Building Necessary Histories’ pp.50-55
Natalie Seiz ‘Generations, re-entry, transnationality: approaches to contemporary women’s art history in Taiwan’ pp.56-65
Anne Shea ‘Jenny Polak: Exposing/Hiding Citizen/Non-Citizen’ pp.66-72
Eileen Legaspi-Ramirez ‘Taking it on Faith: Inscribing the Un(der)written in the work of Varsha Nair and Raquel de Loyola’ pp.73-76
Harriet Curtis ‘Restaging Feminism in Los Angeles: ‘Three Weeks in January’ (2012): ‘Three Weeks in May’ (1977)’ pp.77-85
Katy Deepwell ‘Felicity Sparrow: forming Circles’ pp.86-95

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