nparadoxa vol 37 Jan 2016

SOUND?NOISE!VOICE!

Contents

Editorial (Katy Deepwell) pp.4
Marie Thompson ‘Creaking, Growling: feminine noisiness and vocal fry in the music of Joan La Barbara and Runhild Gammelsæter’ pp.5-11
Sarah Frost ‘Symphony, Encounter, Memory: An Interview with Gisela Weimann’ pp.12-22
Maia Urstad, Tansy Spinks and Luz María Sánchez ‘Maia Urstad on her work: Nullmeridianens tilbakekomst/ Return of the zero meridian
Tansy Spinks on Leeds! Leeds! Leeds! and Luz María Sánchez on Vis (un)necessary force.[V. (u)NF_**]’ pp.23-27
Sally Deskins ‘Multimedia collaborations: An interview with Elise Kermani and Evelin Stermitz’ pp.28-37
Artists Pages: Jill Scott ‘AURALROOTS’ pp.38-43
Artists Pages: Annea Lockwood ‘Jitterbug : the score’ pp.44-47
Sylvie Lacerte ‘The soundscapes in Vera Frenkel’s itinerary’ pp.48-54
Artists Statements: Pamela Z ‘Memory Trace’; Ros Bandt ‘Finding MEDEA’; Camille Norment ‘Lull” pp.55-59
Suzanne Herrera Li Puma ‘Not Spelling it Out: Mira Schendel’s Humor’ pp.60-71
Artists Statements: Jodi Rose on her Sound Art and the Devil’s Bridge; Kaffe Matthews ‘The moving street is an algorithm’; Katrinem ‘SchuhzuGehör_path of awareness’ pp.72-77
Annie Goh ‘GenDyTrouble: Cyber*Feminist Computer Music’ pp.78-82
Vanessa Gravenor ‘Monika Weiss’ Two Laments’ pp.83-88
Irene Noy ‘A Sound Walk into Susan Hiller’s Monument (1980-81)’ pp.89-95

Some Articles from n.paradoxa are available as free PDFs at https://www.ktpress.co.uk/